Maggie a Girl of the Streets Stephen Crane 9781407626420 Books
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"A powerful, severe, and harshly comic portrayal of Irish immigrant life in lower New York exactly a century ago."—Alfred Kazin. Maggie, a powerful exploration of the destructive forces that underlie urban society and human nature, produced a scandal when it was first published in 1893. This volume includes "George's Mother" and eleven other tales and sketches of New York written between 1892 and 1896.
Maggie a Girl of the Streets Stephen Crane 9781407626420 Books
Keep in mind this is a classic, most interesting for the style of prose, so 19th century, so many interesting words not heard much today, The descriptions are so, well, descriptive, so unlike even good modern writing. Reminds me of H.G. Wells. I enjoyed reading it for it's view of early New York City in the tenements. It's a sad story of a troubled family in the inner city. What I wasn't happy about was the abrupt ending. There was no culmination, no finish, no villain, just the end. Still, I suspect that is the way Crane wanted it, as a snapshot of a small set of lives in the endless struggle, there is really no beginning and no end, just the continuing reality of life.Product details
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Tags : Maggie, a Girl of the Streets [Stephen Crane] on Amazon.com. *FREE* shipping on qualifying offers. A powerful, severe, and harshly comic portrayal of Irish immigrant life in lower New York exactly a century ago. —Alfred Kazin. Maggie,Stephen Crane,Maggie, a Girl of the Streets,HardPress Publishing,1407626426,Anthologies (non-poetry),General,Literary Collections General,Literature - Classics Criticism
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Maggie a Girl of the Streets Stephen Crane 9781407626420 Books Reviews
Although the prose is very old-fashioned, Stephen Crane's point of view is amazingly progressive and profound for the time. What insight he shows for the downtrodden poor and for the underclass of women. It is a tragic story that you can imagine is repeated over and over in the early 20th century. Maggie, as the unfortunate victim of class and circumstance, is certainly more than a sympathetic story written by Crane--it is his mission. Of course, we can see in our early 21st century, that there are still persons born into poverty that can't overcome. It remains one of society's most unsolved and frustrating problems.
American novelist Stephen Crane (1871-1900) is familiar to many readers due to his Civil War classic The Red Badge of Courage (1895), which is standard fare in most high school literature classes. Less familiar, however, is Crane's first novel, Maggie A Girl of the Streets (1893), written when the author was only 22 years-old. In this work, Crane chronicles the tragic descent of Maggie, the novel's young heroine, which is propelled by the pernicious effects of the hellish slum life of late nineteenth-century New York City. The author, normally described as a "naturalist," did indeed base this work on his own detailed observations as well as those of the crusading journalist and photographer Jacob Riis (author of How the Other Half Lives). Nevertheless, Crane also imbues Maggie A Girl of the Streets with ample doses of symbolism, biblical allusions, and even melodrama. This masterful amalgamation of literary styles allowed Crane to create a harrowing but heartfelt depiction of the debilitating effect of impersonal societal forces on the individual.
This "Norton Critical Edition" of Maggie A Girl of the Streets is richly endowed with insightful essays concerning the author and his craft. Some of these, for example, provide crucial biographical and contextual information concerning the development of Crane's social and religious views; others examine the author's usage of irony, satire, symbolism, and American naturalism in the novel. One of my favorite essays was Katherine G. Simoneaux's "Color Imagery in Crane's Maggie A Girl of the Streets," which highlights Crane's skillful usage of color imagery to evoke a variety of emotions in the reader. I highly recommend this first-time novel by one of America's greatest authors to all aficionados of American literature, historians of the Gilded Age, or the general reader in search of a "good read."
The world of Stephen Crane's Manhattan doesn't exist any more, a fact for which we can be grateful. It's a world where poverty, alcoholism and disease were not only rampant but blamed entirely on the victims.
Crane was no humanist; he was content to record the depravity around him with a keen eye and a cool heart. In his mind man was but passing flashes of cosmic debris, and his New York stories, written in the first half of 1890s and collected here, capture the jagged pieces of life he saw with unblinking candor. "War Is Kind" was the title of a collection of Crane poems; this collection of stories could be called "Man Is Not".
In "When A Man Falls, A Crowd Gathers", we have a tale of urban rubbernecking before the age of the automobile. A man collapses on the street, and a throng soon surrounds him, gaping hopefully for the sight of death and trodding on each other's toes. "An Eloquence Of Grief" covers a young lady accused of prostitution realizing no one cares about her plight in the cold recesses of a busy courtroom.
"The Men In The Storm" sets us amid another throng, this time a huddled mass seeking shelter beneath a blizzard "Then a dull roar of rage came from the men on the outskirts; but all the time they strained and pushed until it appeared to be impoosible for those that they cried out against to do anything but be crushed to pulp."
That's about the lot of everyone in these stories, sadly, from the title character of Crane's first novel "Maggie" to a small dark-brown dog who finds temporary shelter with a small boy and his thoughtless family. For Crane, originally from upstate New York, Gotham in the last decade of the 19th century was a frightening place, hellish because it placed people in such close proximity to one another.
The stories collected here don't necessarily work in isolation, though "A Dark Brown Dog" remains a sentimental favorite of mine when I feel tough enough to read it and "George's Mother" works very well as a story of a shortsighted woman and her wayward son. But reading them in tandem here gives you a sense for what it was Crane found so fascinating and terrifying. Even a lighter piece like "The Broken-Down Van" feels fabulously unreal in Crane's hands, almost dreamlike in the way the narration jumps around without rhyme or reason among drivers, spectators, drunks, and a cop.
The character of Maggie makes a cameo in "George's Mother, and the book's Introduction by Larzer Ziff states flatly that three of the other stories - "Dark-Brown Dog", "An Ominous Baby", and "A Great Mistake" - also deal with Maggie's family. That seems a reach to me, though it's true Crane's characters feel oddly connected with one another, even when they are of different station. The children in "Mr. Binks' Day Off" have the same first names as Maggie and her siblings, though they couldn't be farther apart socially.
It's been said that Crane was both Naturalist and Impressionist when it came to his art, and that case is well presented in this collection. Miserable as man's condition may be, boring it's not, and Crane is as good a representer of that reality as anyone.
The actual story was fine, I had to read it for a class and enjoy it well enough.
My problem with this product is that it looks just like the Penguin Classic edition of the book, when really it's just some sort of counterfeit book. The picture is clearly stolen, blown up, with the Penguin name just edited off. No copyright or publishing info on the inside. The font has also been shrunk down to like 8-point font so it's hard to read. The book is like some 30-page play bill compared to the actual Penguin edition thats somewhere over 100 pages. DON'T bother buying this. I'm shocked that is even legally allowed to sell this. It's very fishy and seems like it must breach some sort of copyright infringement against Penguin Books.
Keep in mind this is a classic, most interesting for the style of prose, so 19th century, so many interesting words not heard much today, The descriptions are so, well, descriptive, so unlike even good modern writing. Reminds me of H.G. Wells. I enjoyed reading it for it's view of early New York City in the tenements. It's a sad story of a troubled family in the inner city. What I wasn't happy about was the abrupt ending. There was no culmination, no finish, no villain, just the end. Still, I suspect that is the way Crane wanted it, as a snapshot of a small set of lives in the endless struggle, there is really no beginning and no end, just the continuing reality of life.
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